Seattle funny reader bosrd4/9/2023 Apparently he was gracious and approachable, and it’s one of my big regrets I didn’t join in on the conversation. I’ve never been more intimidated by anyone, so I cowered in the video department while he talked with the staff. Fun fact: When I worked at The Camera Store, Lubezki came in while he was shooting The Revenant. Jordan: I love Lubezki’s style, but Deakins has shown himself to be a master of a huge variety of looks. And I haven't even mentioned The Tree of Life! Side note, Deakins gets a lot of deserved props for 'Blade Runner 20, but do yourself a favor and go back to watch 'The Assassination of Jesse James by the Coward Robert Ford' and 'The Man Who Wasn't There.' Three consecutive Oscars for films ('Gravity,' 'Birdman,' 'The Revenant') with three different and unique challenges showed his range and how he marries practical with digital filmmaking to create a seamless story. Shaminder: Both of these men are masters of their craft, and I love that Deakins started a podcast sharing his knowledge during the Covid-19 pandemic (might be one of the few good things to come out of it), but forced to choose I have to go with Lubezki. Matt: Shutter angle, Jordan’s DPReview article convinced me. Being able to maintain an appropriate exposure time when switching from, say, 24p to 60p (and back!) speeds up the process and makes mistakes much less likely. Richard Butler: Since it's in the video division of the competition, I have to opt for shutter angle. I also feel like studio lighting is easy to get wrong and overdoing it with perfection screams this isn’t real. I think for me natural light is my comfort zone because I learned how to leverage natural light with bounce cards and mirrors mostly out of lack of access to studio lights when I was starting out. Seattle winters (and falls and springs) can be a sea of gray. Shaminder: I went with natural light, but I hear you Matt and know exactly what you mean. This is an ambition pick, as I’m not at all good with flash, but shooting in Seattle the natural light basically goes missing for half the year, so I need to get on board with it. Matt Waller: Prime, but I cheat because I use Micro Four Thirds and can fit five or six of them on me in different pockets. I like the slowing down, it helps me turn off my a part of my brain and be present and focus. There’s something nice about walking around with an 85mm and thinking, boy I wish I had the 35mm but let me think about how to compose the scene with what I have. Shaminder Dulai: I like primes when the assignment allows for it, I like how it forces me to work within the limits of the lens and be more creative within those limits. Jordan Drake: I bring primes when I go shoot for fun, but when I’m working it’s typically a couple zooms in the bag. A small mirrorless body and a compact zoom provide a ton of flexibility when traveling, albeit at the expense of some flexibility for shallow DOF shots. What follows is an edited version of this conversation:ĭale Baskin: I love shooting with prime lenses, but I also like to travel light. Round 1 - Results Photo Division Film vs Digitalįor some categories, the DPReview team debated amongst ourselves. As such, we ask that you only vote once, from a single account. Our readers' polls are run on the basis of trust. It's not sponsored, promoted or paid for in any way and DPReview doesn't care how you vote. Please note that for the best experience, we recommend voting on our desktop site. Which contentious contender will make it to the final four and ultimately be crowned the DPReview March Madness 2023 Champion? natural light?) – if you're having trouble, just decide which one you'd kick off the island. Things are getting weird this round with lots of odd matchups (prime lens vs. We've updated the matchups to vote on (click the image above to see it larger). Round one of DPReview March Madness kicked off last week and thousands of you voted alongside the DPReview editors to determine who got to advance and who was sent packing in defeat.
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